There are a lot of reasons not to read John King’s The Football Factory:
The content: I don’t consider myself someone easily embarrassed, but at times, this book’s cursing and the things being suggested by the main characters (especially when it comes to women) made me nearly blush reading it in public, even though I was totally cognisant of the fact that no one knew what I was reading.
The style: For two different chapters, King streams a character’s consciousness in sentences that appear to last a page or longer. Sentences that last a page. I’ve been known to push the conceivable boundaries of the run-on myself, but a page was never on my radar.
The dialect: At times, it’s nearly impossible to identify the English slang used, even for someone who’s lived in the UK for over a year and a half, and for a year of that in Scotland, where the word “murder” can often sound like the person speaking has forgotten there are vowels in it, and has lost control of his tongue rolls (think “mrrrrrrrrrrr-drrrrrrrrrrrrr” being said as though the extended rolled r’s are causing a whirlpool effect with all of the saliva in the person’s mouth).
The violence: Movie violence can make you cringe, but without sound, it actually tends to seem comical. Reading about a violent act, especially when described in deranged detail, makes you cringe, shiver, and squirm all at once. This book will do that to you on a regular basis.
My reading of The Football Factory, therefore, became a very on-again, off-again affair. Then I moved to Denver and began riding public transit into work every day, and I brought it along to pass the time. Reading through the book in ten-minute to half-hour pieces – sometimes getting through just a couple of pages – changed its complexion and removed some of the difficulty from the equation of reading it. And what I found was that the people who couldn’t initially stomach the book, for the reasons laid out above and probably more, missed out. What John King did with Continue reading →